Compare Essay Example | Topics and Well Written Essays - 1250 words

Comp atomic number 18 - Essay ExampleHis motion-picture shows contain diligence, tenderness, expressions of the figures, the beauty of draperies and so on. He port Raffaello intimate from Pietro when he was young was slight, dry and defective in design, and not being able to throw it off, he found it difficult to learn the beauty of nudes, and the regularity of difficult foreshortening of the cartoon of Michelangolo Buonattoty for the H exclusively of the Council at Florence. barely with great effort, he managed to get rid of the Pietros style and reached Michelangolos which was full of difficulties. When Raffaello began to improve his style, he did not do it the way it should be done, but the way he saw his previous headwaiter Pietro do it, with natural grace. He compared the muscles of a dead men with those of the living. Later he realized how easy and fleshy parts should be made, the swelling, lowering and raising a part of the whole body, how the bones are composed, nerves and veins, and he became a master in all the parts, as any great panther should. However, in this area, he could not get close to the perfection of Michelangolo, and he realized that he does not necessary have to paint the nude figures, but that painting has a large field that he can fill out with good invention and order which deserves a great and skilled artist. He realized that he could enrich his works with variety of perspective, landscapes, a delicate and light treatment of the draperies, sometimes causing the figure to get lost in the darkness, and on the opposite hand, sometimes also to enter into the clear light, making the figures more alive and realistic, making beautiful heads of women, children and old people endowing them with, for them, suitable movement. He also thought about how important is the flight of horses in the battle, as well as the courageousness of the soldiers, the knowledge of many kinds of animals, but most of all, the method of making men look mo re life-like when gulp portraits putting them into a relation with other things such as shoes, helmets, hair, beards, trees, caves, rain, clouds, night time, bright sun, fine weather, all kinds of hair styles, and all the other things that are the necessities of todays painting. Realizing that he cannot be better than Michelangolo in some aspects, he did not imitate him, but tried hard to become the best in some other aspects, and in that way surpass Michelangolo. Having made this resolution and admitting that Fra Bartolommeo of S. Marso had a god painting method, solid design and coloring that is pleasant, although sometimes using shadows in a manner that is too discontinue to obtain greater grief, Raffaello borrowed from him what he thought that would be useful for his own art. So he apply a medium style in design and coloring and combined them with some of the best things of other masters. Furthermore, he formed one single style out of many that he borrowed from other painters , and that style was always considered as his own and even highly estimated by other artists. Raffaello learned the Florentine method of a composition in depth with pyramidal figure masses, and also, he made use of da Vincis chiasoscuro(strong contrast between light and dark). Moreover, he was influenced by his sfumato (use of fine, soft shading istead of line to cast forms and features). He went beyond Leonardo in creating new figure types whose gentle faces reveal typically human sentiments that are raised to